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File:Fuji seen through the Mannen bridge at Fukagawa.jpg

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摘要

葛飾北齋：Under the Mannen Bridge at Fukagawa  wikidata:Q18173386 reasonator:Q18173386
Artist
葛飾北齋  (1760–1849)  wikidata:Q5586 q:en:Hokusai
 
葛飾北齋
Alternative names
Birth name: Tokitarō (時太郎)
Description 日本 painter、drawer 同埋版畫家
Date of birth/death 1760年10月31號 改維基數據 1849年5月10號 改維基數據
Location of birth/death 江戶, today 東京都 江戶, today 東京都
Work period 1808年 改維基數據
Work location
江戶, today 東京都, 名古屋,Uraga
權威控制
creator QS:P170,Q5586
 改維基數據
image of artwork listed in title parameter on this page
題
日文:
『深川万年橋下』
- Fukagawa Mannen-bashi shita

Under Mannen Bridge at Fukagawa
title QS:P1476,ja:"深川万年橋下"
label QS:Lja,"深川万年橋下"
label QS:Lfr,"Le Fuji vu à travers le pont de Mannen à Fukagawa"
label QS:Len,"Under Mannen Bridge at Fukagawa"
label QS:Lde,"Unter der Mannen-Brücke in Fukagawa"
Series title 富嶽三十六景 改維基數據
Object type print / woodcut print 改維基數據
Genre 風景畫 改維基數據
描述
Part of Thirty-six Views of Mount Fuji、no. 06 .
日期 First publication: circa 1830年
date QS:P571,+1830-00-00T00:00:00Z/9,P1480,Q5727902
.
This edition: circa 1930年
date QS:P571,+1930-00-00T00:00:00Z/9,P1480,Q5727902
.
Medium woodblock color print
institution QS:P195,Q1129820
institution QS:P195,Q160236
Accession number
註
English: Woodblock made ca. 1930 exactly the same way as they were made by artisans ca. 1830. The skill and the care are the same. There is a drawing or a copy of it coming from the artist. Then the woodcutter and the printer take over. Their skill varies. Hokusai once wrote to one of his editors that he was not happy with one of the woodcutters. In the case of the new cuts of the 36 views of the Fuji, only experts can distinguish the many versions - mainly by differences of the frame around the script
Source/Photographer http://visipix.com/index.htm
許可
(重用呢個檔案)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

Use {{PD-Japan-oldphoto}} for photos published before December 31, 1956, and {{PD-Japan-film}} for films produced prior to 1953. Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. The file must have an additional copyright tag indicating the copyright status in the United States. See also Copyright rules by territory.

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

呢個作品喺來源國同埋其他版權期限係作者過身後100年或以下嘅國家同地區屬於公有領域。

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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Captions

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Items portrayed in this file

圖中顯示嘅係

富士山

Mannen Bridge 英文

Onagi River 英文

隅田川

釣魚

stone wall 英文

Chokibune 英文

buke yashiki 英文

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現時2005年9月7號 (三) 03:46響2005年9月7號 (三) 03:46嘅縮圖版本4,448 × 2,959（2.03 MB）PetrusbarbygereFacsimile of a woodblock made ca. 1930 exactly the same way as they were made by artisans ca. 1830. The skill and the care are the same.There is a drawing or a copy of it voming from the artist. Then the woodcutter and the printer take over. Their skill v

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