女性視角

女性視角（英文：female gaze），喺女性主義理論中，女性視角指喺視覺藝術^[1]同喺文學創作^[2]中，由女異性戀者嘅角度描繪男性同現實，將男性性客體化以取悅異性戀女性觀眾嘅行為^[3]。

喺敘事電影嘅視覺同美學表現中，女性視角擁有三個角度：

攝像機後嘅女性視角；
電影中女性角色嘅視角；
睇圖像嘅女性觀眾嘅視角^[4]^[5]。

女性視角同男性視角喺概念上形成對比^[6]^[7] 。

女性視角嘅作品

女性作品係指以女性族群為訴求對象者嘅作品。例如喺戀愛遊戲中，設定角色同表現手法迎合女性嘅喜好，通常會特登強調靚仔角色嘅外貌同才華。

女性作品又分為少女系同埋耽美系／百合系兩大類，少女系（日文：乙女向）係指少女漫畫、言情小說等以女性為主角嘅愛情故事，早期一般係一對一，近年逐漸出現後宮傾向；而耽美系係女性想像中嘅男同志戀愛作品，而百合系係女性想像中嘅女同志戀愛作品。

早期嘅女性作品，戀愛嘅成分相當重；而近年因為創作蓬勃嘅關係，亦逐漸出現唔係以戀愛為主題嘅女性作品。

睇埋

男性視角

拎

↑ "Feminist Aesthetics". Stanford Encyclopedia of Philosophy. Winter 2012. 喺13 May 2015搵到. Assumes a standard point of view that is masculine and heterosexual. . . . The phrase 'male gaze' refers to the frequent framing of objects of visual art so that the viewer is situated in a masculine position of appreciation.
↑ That the male gaze applies to literature and to the visual arts: Łuczyńska-Hołdys, Małgorzata (2013). Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century, Cambridge Scholars Publishing, p. 15.
↑ Eaton, E.W. (September 2008). "Feminist Philosophy of Art". Philosophy Compass. Wiley-Blackwell. 3 (5): 873–893. doi:10.1111/j.1747-9991.2008.00154.x.
↑ Devereaux, Mary (1995). "Oppressive Texts, Resisting Readers, and the Gendered Spectator: The "New" Aesthetics". 出自 Brand, Peggy Z.; Korsmeyer, Carolyn (編). Feminism and tradition in aesthetics. University Park, Pennsylvania: Penn State University Press. p. 126. ISBN 9780271043968.
↑ Walters, Suzanna Danuta (1995). "Visual Pressures: On Gender and Looking". 出自 Walters, Suzanna Danuta (編). Material Girls: Making Sense of Feminist Cultural Theory. Berkeley, California: University of California Press. p. 57. ISBN 9780520089778.
↑ Sassatelli, Roberta (September 2011). "Interview with Laura Mulvey: Gender, Gaze and Technology in Film Culture". Theory, Culture & Society. 28 (5): 123–143. doi:10.1177/0263276411398278.
↑ Jacobsson, Eva-Maria (1999). A Female Gaze? (PDF) (報告). Stockholm, Sweden: Royal Institute of Technology. 原先內容歸檔 (PDF)喺2011-10-04.

日本流行文化在台灣與亞洲(II): Japanese Popular Culture in Taiwan and Asia, p.86

[1] "Feminist Aesthetics". Stanford Encyclopedia of Philosophy. Winter 2012. 喺13 May 2015搵到. Assumes a standard point of view that is masculine and heterosexual. . . . The phrase 'male gaze' refers to the frequent framing of objects of visual art so that the viewer is situated in a masculine position of appreciation.

[2] That the male gaze applies to literature and to the visual arts: Łuczyńska-Hołdys, Małgorzata (2013). Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century, Cambridge Scholars Publishing, p. 15.

[3] Eaton, E.W. (September 2008). "Feminist Philosophy of Art". Philosophy Compass. Wiley-Blackwell. 3 (5): 873–893. doi:10.1111/j.1747-9991.2008.00154.x.

[4] Devereaux, Mary (1995). "Oppressive Texts, Resisting Readers, and the Gendered Spectator: The "New" Aesthetics". 出自 Brand, Peggy Z.; Korsmeyer, Carolyn (編). Feminism and tradition in aesthetics. University Park, Pennsylvania: Penn State University Press. p. 126. ISBN 9780271043968.

[5] Walters, Suzanna Danuta (1995). "Visual Pressures: On Gender and Looking". 出自 Walters, Suzanna Danuta (編). Material Girls: Making Sense of Feminist Cultural Theory. Berkeley, California: University of California Press. p. 57. ISBN 9780520089778.

[interview-mulvey-2011-6] Sassatelli, Roberta (September 2011). "Interview with Laura Mulvey: Gender, Gaze and Technology in Film Culture". Theory, Culture & Society. 28 (5): 123–143. doi:10.1177/0263276411398278.

[jacobsson-7] Jacobsson, Eva-Maria (1999). A Female Gaze? (PDF) (報告). Stockholm, Sweden: Royal Institute of Technology. 原先內容歸檔 (PDF)喺2011-10-04.

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