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摘要

魯本斯Robin, the Dwarf of the Earl of Arundel  wikidata:Q29879022 reasonator:Q29879022
Artist
魯本斯  (1577–1640)  wikidata:Q5599 s:sl:Peter Paul Rubens q:en:Peter Paul Rubens
 
魯本斯
Alternative names
Rubens, Pierre Paul Rubens, Pieter Paul Rubens, Sir Peter Paul Rubens
Description FLEMISH painter、sculptor、drawer 同埋版畫家
Date of birth/death 1577年6月28號 改維基數據 1640年5月30號 改維基數據
Location of birth/death Siegen 改維基數據 安特衞普 改維基數據
Work period 16 century
date QS:P,+1550-00-00T00:00:00Z/7
 改維基數據
Work location
安特衞普 (1589-1600), 曼圖亞 (1600年5月9號-1608), 西班牙 (1603), 安特衞普 (1608-1640), 荷蘭 (1612), 巴黎 (1623年5月23號-1623年6月29號, 1625年2月4號-1625年6月9號), 加萊 (1626年11月), 巴黎 (1626年12月), 布魯塞爾 (1627), 荷蘭 (1627年7月10號-1627年8月6號), 西班牙 (1628年8月26號-1629年4月29號), 倫敦 (1629年5月18號-1630年3月23號), 布魯塞爾 (1631), 荷蘭 (1631年11月), Affligem (1634年9月)
權威控制
artist QS:P170,Q5599
image of artwork listed in title parameter on this page
英文:
Robin, the Dwarf of the Earl of Arundel 改維基數據

Robin, the Dwarf of the Earl of Arundel
label QS:Len,"Robin, the Dwarf of the Earl of Arundel"
label QS:Lnl,"Robin, de dwerg van de graaf van Arundel"
Object type 素描 改維基數據
描述
English: A detailed preliminary study, with colour indications, for the dwarf Robin in the right foreground of the group portrait of The Countess of Arundel and her Train at Munich. This is the surviving example of the drawn costume studies mentioned in the letter of 17 July 1620 to the Earl of Arundel.
Polski: Studium Rubensa
日期 1620年
date QS:P571,+1620-00-00T00:00:00Z/9
Medium Pen and brown ink over red, black and white chalk on light grey paper. Fully mounted.
Dimensions 高度:40.3cm;闊度:25.8cm
dimensions QS:P2048,40.3U174728
dimensions QS:P2049,25.8U174728
institution QS:P195,Q842858
Accession number
Object history
  • P.Crozat (Paris, 1665­ 1740), sale, 10 April 1741 et seq., lot 841;
  • Count C.G.Tessin (Stockholm, 1695­ 1770);
  • Royal Library, Stockholm (Inv. 1790, No.1722);
  • Royal Museum, Stockholm
Exhibition history
  • C h o ix d e dessins d u q u in zièm e au dix-huitième siècle, à l’occasion du XVIIIième Congrès International d’Histoire de l’Art, Nationalmuseum, Stockholm, 1933, No.36;
  • Brussels, 19 3 8 -39 , N0.26 (repr.);
  • R otterdam, 1939, N0.42 (repr.);
  • R otterd am , 1948-49, N0.120;
  • Brussels, 1949, N0.90;
  • P a ris, 1949, N0.94;
  • H elsinki, 19 3 2 -3 3 , N0.40 (repr.);
  • Stockholm , 1933, No. 100 (repr.);
  • A n tw erp , 1936, N0.89 (repr.);
  • O ld M a ster D ra w in gs, NationalmuseumStockholm, 1967^0.20;
  • D ra w in g s fr o m Stockholm , The Pierpont Morgan Library, New York, 1969, N0.54;
  • London, 1932, No.7 (repr.);
  • A n tw e rp , 1933, No.153 (repr.);
  • Stockholm , 19 3 3 -3 8 , N0.33 (repr.)
Inscriptions

several inscriptions in Rubens’s hand, referring to colours and materials of the costume: H et W am bu y s verm ach w esen root sa ttijn ende de broeck root flo u w eel (above on the left), T a n n a y tflou w eel (waistcoat), T an n ay t flo u w eel (breeches), root (knee), G eel (stockings), root (bootlaces), S w a rt (boot), Geel V oyeringe (border of mantle); in the right corner below, the mark of the Nationalmuseum, Stockholm

(L.1980) and, inscribed with the pen, P.P. R u b en s (? by Crozat) and 1722 (mark of the Royal Library inventory, Stockholm, 1790)
References
  • http://collection.nationalmuseum.se/eMuseumPlus?service=ExternalInterface&module=collection&objectId=68652&viewType=detailView
  • R ooses, V, p.260, No.1498;
  • G lü ck -H a b e r d itçl, p.46, No.133 (repr.);
  • L. Van Puyvelde, ‘Die Handzeichnungen des P.P.Rubens in der Ausstellung in Brüssel’, Pantheon, XXIII, 1939, pp.75, 78 (repr.);
  • Evers, R u ben s, p.89 (repr.);
  • Evers, Neue Forschungen, pp.339-340;
  • Burchard -d ’ H u lst, T eken in g en ,p p .8 0 -8 1, No. 89(repr.);
  • H eld , D ra w in g s, pp.10, 32, 44, 55, 136, No.101, pi.113;
  • B u rch a rd -d ’ H u lst, Drawings,I, pp.198-199, N0.127 (repr.);
  • B.Magnusson, ‘Rubens som tecknare’, in R u b en s iS v erig e, Stockholm, 1977, pp. 105-106 (repr.)
Source/Photographer http://www.studiointernational.com/index.php/rubens-van-dyck-and-flemish-art

協議

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

呢個作品喺來源國同埋其他版權期限係作者過身後100年或以下嘅國家同地區屬於公有領域


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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